FELIX HUBER COMPROject
FELIX HUBER COMPROject
COMPROJECT (Composition/Impro/Project) is the examination of fragments or already completed but not yet published manuscripts from my previous compositional work; and at the same time their integration into my current work.
Furthermore, it is the attempt to realize sound recordings during the Corona lockdown, separated in time and place in our own studios in Aarau, Basel and Bern respectively, without losing too much spontaneity and creativity.
The fact that this, as I feel, has succeeded amazingly well with the present album, I owe to my fellow musicians Christoph and Clemens, who have enriched this music with their power of inspiration and intuitive grasp of the character of the individual pieces.
Felix Huber
Christoph Huber (tenorsax, bassclarinet)
From a musical household in a small Swiss village to living and working in New York City, Christoph Huber has been involved in a wide range of musical settings.
This cocktail of influences inspires him to find unique connections between musical elements, while the craftsmanship and flexibility he’s acquired on the saxophone serves as the foundation for exploration.
Recent years have seen him become more involved beyond Jazz circles, helping with album productions and live sets of various genres as well as writing music for dance.
He’s built his musical home in an old industrial building near Badischer Bahnhof Basel, Switzerland, where he explores the marriage of acoustical sounds with electronics.
christophhuber.com
https://www.facebook.com/huberchristoph/
https://www.instagram.com/christophhubermusic/
https://www.tiktok.com/@bossada_
https://www.youtube.com/@christophhubermusic
Felix Huber (piano, composition)
was born in Frick (AG), Switzerland. He discovered improvising on the piano at an early age. He was a founding member of the first jazz-rock formation „Jigsaw“ in the canton of Aargau.
Studies at the Bern Conservatory, the Jazz School Bern and at Berklee College in Boston, USA. While still a student: Coast-to-Coast tour through 30 of the largest cities in the USA.
Compositions for symphony orchestra, string and chamber ensembles, big band, choir and solo instruments.
Competitions / Awards
• 2nd prize: International Jazz Composition Competition, Monaco (1981)
• Finals: International Jazz Composition Competition, Monaco (1982)
• Work year of the Board of Trustees of the Canton of Solothurn (1982)
• Awarded a commission to write for four Swiss classical festivals: “Interlakner- und Meiringer Musikfestwochen” as well as “Schlosskonzerte Spiez und Thun” (1999)
• Pro Argovia Artists 2001/2002
• 1st prize: Composition competition for the opening ceremony of the Swiss national exhibition Expo.02
• Prize winner: IV international Prokofieff composition competition in Saint Petersburg (2003)
• Finals: Concours de Composition Chorale "Label Suisse", Lausanne 2008
• Pro Argovia Artists 2021/2022
felixhuber.ch
https://www.youtube.com/@felixhubercom
Clemens Kuratle (drums)
I was Born in Bern, Switzerland in 1991 and started playing the drums at the age of 6.
After highschool I studied with Gerry Hemingway, Norbert Pfammatter and Pierre Favre and then quickly managed to find my way into the small but thriving swiss music scene. Good technique is mandatory, and I want to keep reaching. Still, I often find myself playing quite sparse, delicate acoustic settings, trying to really hear everything and get everything heard.
I draw my inspiration from my countless peers and from music from all over the world, be it the drummers of Burundi, indonesian gamelan, gnawa music from Morroco or the intriguing female choirs of Bulgaria as well as the manifold fusions encounters create.
I lead the critically acclaimed quintet Murmullo, and the international ensemble Ydivide. My work with the quartet of harpist Julie Campiche probably drew the most attention in recent years.,Swiss Bitwig wizard Guy Mandon has opened my ears for synthetic sounds and more electronic-oriented music. I joined him for his live set. I am a longtime member and arranger for neo-folk outlaw Moes Anthill and recently started working intensively for and with Kate Birch.
clemenskuratle.com
https://twitter.com/clemenskuratle?lang=bg
https://www.instagram.com/clemenskuratle/
https://www.facebook.com/clemens.kuratle
https://www.youtube.com/@clemenskuratle4699/
COMPROJECT (Composition/Impro/Project) is the examination of fragments or already completed but not yet published manuscripts from my previous compositional work; and at the same time their integration into my current work.
Furthermore, it is the attempt to realize sound recordings during the Corona lockdown, separated in time and place in our own studios in Aarau, Basel and Bern respectively, without losing too much spontaneity and creativity.
The fact that this, as I feel, has succeeded amazingly well with the present album, I owe to my fellow musicians Christoph and Clemens, who have enriched this music with their power of inspiration and intuitive grasp of the character of the individual pieces.
Felix Huber
Christoph Huber (tenorsax, bassclarinet)
From a musical household in a small Swiss village to living and working in New York City, Christoph Huber has been involved in a wide range of musical settings.
This cocktail of influences inspires him to find unique connections between musical elements, while the craftsmanship and flexibility he’s acquired on the saxophone serves as the foundation for exploration.
Recent years have seen him become more involved beyond Jazz circles, helping with album productions and live sets of various genres as well as writing music for dance.
He’s built his musical home in an old industrial building near Badischer Bahnhof Basel, Switzerland, where he explores the marriage of acoustical sounds with electronics.
christophhuber.com
https://www.facebook.com/huberchristoph/
https://www.instagram.com/christophhubermusic/
https://www.tiktok.com/@bossada_
https://www.youtube.com/@christophhubermusic
Felix Huber (piano, composition)
was born in Frick (AG), Switzerland. He discovered improvising on the piano at an early age. He was a founding member of the first jazz-rock formation „Jigsaw“ in the canton of Aargau.
Studies at the Bern Conservatory, the Jazz School Bern and at Berklee College in Boston, USA. While still a student: Coast-to-Coast tour through 30 of the largest cities in the USA.
Compositions for symphony orchestra, string and chamber ensembles, big band, choir and solo instruments.
Competitions / Awards
• 2nd prize: International Jazz Composition Competition, Monaco (1981)
• Finals: International Jazz Composition Competition, Monaco (1982)
• Work year of the Board of Trustees of the Canton of Solothurn (1982)
• Awarded a commission to write for four Swiss classical festivals: “Interlakner- und Meiringer Musikfestwochen” as well as “Schlosskonzerte Spiez und Thun” (1999)
• Pro Argovia Artists 2001/2002
• 1st prize: Composition competition for the opening ceremony of the Swiss national exhibition Expo.02
• Prize winner: IV international Prokofieff composition competition in Saint Petersburg (2003)
• Finals: Concours de Composition Chorale "Label Suisse", Lausanne 2008
• Pro Argovia Artists 2021/2022
felixhuber.ch
https://www.youtube.com/@felixhubercom
Clemens Kuratle (drums)
I was Born in Bern, Switzerland in 1991 and started playing the drums at the age of 6.
After highschool I studied with Gerry Hemingway, Norbert Pfammatter and Pierre Favre and then quickly managed to find my way into the small but thriving swiss music scene. Good technique is mandatory, and I want to keep reaching. Still, I often find myself playing quite sparse, delicate acoustic settings, trying to really hear everything and get everything heard.
I draw my inspiration from my countless peers and from music from all over the world, be it the drummers of Burundi, indonesian gamelan, gnawa music from Morroco or the intriguing female choirs of Bulgaria as well as the manifold fusions encounters create.
I lead the critically acclaimed quintet Murmullo, and the international ensemble Ydivide. My work with the quartet of harpist Julie Campiche probably drew the most attention in recent years.,Swiss Bitwig wizard Guy Mandon has opened my ears for synthetic sounds and more electronic-oriented music. I joined him for his live set. I am a longtime member and arranger for neo-folk outlaw Moes Anthill and recently started working intensively for and with Kate Birch.
clemenskuratle.com
https://twitter.com/clemenskuratle?lang=bg
https://www.instagram.com/clemenskuratle/
https://www.facebook.com/clemens.kuratle
https://www.youtube.com/@clemenskuratle4699/
FELIX HUBER COMPROject
COMPROJECT (Composition/Impro/Project) ist das Auseinandersetzen mit Fragmenten oder bereits fertiggestellten aber noch nicht veröffentlichten Manuskripten aus meiner bisherigen Kompositionstätigkeit; und gleichzeitig deren Integration in mein aktuelles Schaffen.
Weiter ist es der Versuch, Tonaufnahmen während des Corona-Lockdowns, zeitlich und örtlich getrennt in unseren jeweils eigenen Studios in Aarau, Basel und Bern zu realisieren, ohne dabei allzu viel an Spontaneität und Kreativität zu verlieren.
Dass dies, wie ich denke, mit vorliegendem Album erstaunlich gut gelungen ist, verdanke ich meinen Mitmusikern Christoph und Clemens, die mit ihrer Inspirationskraft und der intuitiven Erfassung des Charakters der einzelnen Stücke diese Musik bereichert haben. Felix Huber
Felix Huber (Piano, Komposition)
wurde in Frick (AG) geboren. Er entdeckte schon früh das Improvisieren am Klavier und war Gründungsmitglied der ersten Jazz-Rock-Formation "Jigsaw" im Kanton Aargau.
Studien am Konservatorium Bern, der Jazz School Bern und am Berklee College in Boston, USA. Noch während des Studiums: Coast-to-Coast-Tour durch 30 der grössten Städte der USA. Konzerte als Solo-Pianist und mit dem eigenen Quartett "New Jazztett".
Huber verfasste Kompositionen und Arrangements für Sinfonieorchester, Streicher- und Kammerensembles, Jazzcombos, Big-Bands, Chor und Solo-Instrumente.
Wettbewerbe / Auszeichnungen
• 2. Preis : Internationaler Jazz-Kompositionswettbewerb, Monaco (1981)
• Finalteilnahme: Internationaler Kompositionswettbewerb, Monaco (1982)
• Werkjahr des Kuratoriums des Kt. Solothurn (1982)
• 1. Preis: Kompositions-Projektwettbewerb der vier CH-Klassik-Festivals: Interlakner-
und Meiringer Musikfestwochen, sowie Schlosskonzerte Spiez und Thun (1999)
• Auszeichnung der Kulturstiftung Pro Argovia mit dem Titel "Pro Argovia Artists
2001/2002"
• 1. Preis des Kompositionswettbewerbs zur Eröffnung der Schweizerischen
Landesausstellung Expo.02
• 3. Preis: "IV Internationaler Prokofieff Kompositionswettbewerb" in Sankt Petersburg
(2003)
• Finalteilnahme: Concours de Composition Chorale "Label Suisse", Lausanne 2008
• "Pro Argovia Artists 2021/2022"
felixhuber.ch
https://www.youtube.com/@felixhubercom
Christoph Huber (tenorsax, bassclarinet)
From a musical household in a small Swiss village to living and working in New York City,
Christoph Huber has been involved in a wide range of musical settings.
This cocktail of influences inspires him to find unique connections between musical elements, while the craftsmanship and flexibility he’s acquired on the saxophone serves as the foundation for exploration.
Recent years have seen him become more involved beyond Jazz circles, helping with album productions and live sets of various genres as well as writing music for dance.
He’s built his musical home in an old industrial building near Badischer Bahnhof Basel, Switzerland, where he explores the marriage of acoustical sounds with electronics.
christophhuber.com
https://www.facebook.com/huberchristoph/
https://www.instagram.com/christophhubermusic/
https://www.tiktok.com/@bossada_
https://www.youtube.com/@christophhubermusic
Clemens Kuratle (drums)
I was born in Bern, Switzerland in 1991 and started playing the drums at the age of 6.
After highschool I studied with Gerry Hemingway, Norbert Pfammatter and Pierre Favre and then quickly managed to find my way into the small but thriving swiss music scene. Good technique is mandatory, and I want to keep reaching. Still, I often find myself playing quite sparse, delicate acoustic settings, trying to really hear everything and get everything heard.
I draw my inspiration from my countless peers and from music from all over the world, be it the drummers of Burundi, indonesian gamelan, gnawa music from Morroco or the intriguing female choirs of Bulgaria as well as the manifold fusions encounters create.
I lead the critically acclaimed quintet Murmullo, and the international ensemble Ydivide. My work with the quartet of harpist Julie Campiche probably drew the most attention in recent years.,Swiss Bitwig wizard Guy Mandon has opened my ears for synthetic sounds and more electronic-oriented music. I joined him for his live set. I am a longtime member and arranger for neo-folk outlaw Moes Anthill and recently started working intensively for and with Kate Birch.
clemenskuratle.com
https://twitter.com/clemenskuratle?lang=bg
https://www.instagram.com/clemenskuratle/
https://www.facebook.com/clemens.kuratle
https://www.youtube.com/@clemenskuratle4699/
COMPROJECT (Composition/Impro/Project) ist das Auseinandersetzen mit Fragmenten oder bereits fertiggestellten aber noch nicht veröffentlichten Manuskripten aus meiner bisherigen Kompositionstätigkeit; und gleichzeitig deren Integration in mein aktuelles Schaffen.
Weiter ist es der Versuch, Tonaufnahmen während des Corona-Lockdowns, zeitlich und örtlich getrennt in unseren jeweils eigenen Studios in Aarau, Basel und Bern zu realisieren, ohne dabei allzu viel an Spontaneität und Kreativität zu verlieren.
Dass dies, wie ich denke, mit vorliegendem Album erstaunlich gut gelungen ist, verdanke ich meinen Mitmusikern Christoph und Clemens, die mit ihrer Inspirationskraft und der intuitiven Erfassung des Charakters der einzelnen Stücke diese Musik bereichert haben. Felix Huber
Felix Huber (Piano, Komposition)
wurde in Frick (AG) geboren. Er entdeckte schon früh das Improvisieren am Klavier und war Gründungsmitglied der ersten Jazz-Rock-Formation "Jigsaw" im Kanton Aargau.
Studien am Konservatorium Bern, der Jazz School Bern und am Berklee College in Boston, USA. Noch während des Studiums: Coast-to-Coast-Tour durch 30 der grössten Städte der USA. Konzerte als Solo-Pianist und mit dem eigenen Quartett "New Jazztett".
Huber verfasste Kompositionen und Arrangements für Sinfonieorchester, Streicher- und Kammerensembles, Jazzcombos, Big-Bands, Chor und Solo-Instrumente.
Wettbewerbe / Auszeichnungen
• 2. Preis : Internationaler Jazz-Kompositionswettbewerb, Monaco (1981)
• Finalteilnahme: Internationaler Kompositionswettbewerb, Monaco (1982)
• Werkjahr des Kuratoriums des Kt. Solothurn (1982)
• 1. Preis: Kompositions-Projektwettbewerb der vier CH-Klassik-Festivals: Interlakner-
und Meiringer Musikfestwochen, sowie Schlosskonzerte Spiez und Thun (1999)
• Auszeichnung der Kulturstiftung Pro Argovia mit dem Titel "Pro Argovia Artists
2001/2002"
• 1. Preis des Kompositionswettbewerbs zur Eröffnung der Schweizerischen
Landesausstellung Expo.02
• 3. Preis: "IV Internationaler Prokofieff Kompositionswettbewerb" in Sankt Petersburg
(2003)
• Finalteilnahme: Concours de Composition Chorale "Label Suisse", Lausanne 2008
• "Pro Argovia Artists 2021/2022"
felixhuber.ch
https://www.youtube.com/@felixhubercom
Christoph Huber (tenorsax, bassclarinet)
From a musical household in a small Swiss village to living and working in New York City,
Christoph Huber has been involved in a wide range of musical settings.
This cocktail of influences inspires him to find unique connections between musical elements, while the craftsmanship and flexibility he’s acquired on the saxophone serves as the foundation for exploration.
Recent years have seen him become more involved beyond Jazz circles, helping with album productions and live sets of various genres as well as writing music for dance.
He’s built his musical home in an old industrial building near Badischer Bahnhof Basel, Switzerland, where he explores the marriage of acoustical sounds with electronics.
christophhuber.com
https://www.facebook.com/huberchristoph/
https://www.instagram.com/christophhubermusic/
https://www.tiktok.com/@bossada_
https://www.youtube.com/@christophhubermusic
Clemens Kuratle (drums)
I was born in Bern, Switzerland in 1991 and started playing the drums at the age of 6.
After highschool I studied with Gerry Hemingway, Norbert Pfammatter and Pierre Favre and then quickly managed to find my way into the small but thriving swiss music scene. Good technique is mandatory, and I want to keep reaching. Still, I often find myself playing quite sparse, delicate acoustic settings, trying to really hear everything and get everything heard.
I draw my inspiration from my countless peers and from music from all over the world, be it the drummers of Burundi, indonesian gamelan, gnawa music from Morroco or the intriguing female choirs of Bulgaria as well as the manifold fusions encounters create.
I lead the critically acclaimed quintet Murmullo, and the international ensemble Ydivide. My work with the quartet of harpist Julie Campiche probably drew the most attention in recent years.,Swiss Bitwig wizard Guy Mandon has opened my ears for synthetic sounds and more electronic-oriented music. I joined him for his live set. I am a longtime member and arranger for neo-folk outlaw Moes Anthill and recently started working intensively for and with Kate Birch.
clemenskuratle.com
https://twitter.com/clemenskuratle?lang=bg
https://www.instagram.com/clemenskuratle/
https://www.facebook.com/clemens.kuratle
https://www.youtube.com/@clemenskuratle4699/
RELEASES
Lineup
Christoph Huber - tenorsax, bassclarinet
Felix Huber - piano, composition
Clemens Kuratle - drums
Felix Huber - piano, composition
Clemens Kuratle - drums
Details
Catalogue Number
UTR 5075
Recording Engineer
Mixing Engineer
Andy Neresheimer
Mastering Engineer
Andy Neresheimer
Album Duration
Genre
Jazz
Release Date
09.03.2023
Description
FATASHUI is a combination of the two terms "Feng Shui" and "Fata Morgana".
"Feng Shui" refers to sensible and systematic ordering of things while in "Fata Morgana" things are not in the place where they seem to be due to reflection. I find this phenomenon characteristic of music, whose essence is not in the physically audible sounds, but in the relationships between them, the intervallic conversation.
Thus, for me, working out the compositions is more related to Feng Shui, and improvising as a mirror of the soul in real time is more related to Fata Morgana; like walking through a desert, so to speak, guided by imagination and the urge for freedom.
"Feng Shui" refers to sensible and systematic ordering of things while in "Fata Morgana" things are not in the place where they seem to be due to reflection. I find this phenomenon characteristic of music, whose essence is not in the physically audible sounds, but in the relationships between them, the intervallic conversation.
Thus, for me, working out the compositions is more related to Feng Shui, and improvising as a mirror of the soul in real time is more related to Fata Morgana; like walking through a desert, so to speak, guided by imagination and the urge for freedom.
COMPROject (Composition/Impro/Project) is the examination of fragments or already completed but not yet published manuscripts from my previous compositional work; and at the same time their integration into my current work.
Furthermore, it is the attempt to realize sound recordings during the Corona lockdown, separated in time and place in our own studios in Aarau, Basel and Bern respectively, without losing too much spontaneity and creativity.
The fact that this, as I feel, has succeeded amazingly well with the present album, I owe to my fellow musicians Christoph and Clemens, who have enriched this music with their power of inspiration and intuitive grasp of the character of the individual pieces.
FATASHUI is a combination of the two terms "Feng Shui" and "Fata Morgana".
"Feng Shui" refers to sensible and systematic ordering of things while in "Fata Morgana" things are not in the place where they seem to be due to reflection. I find this phenomenon characteristic of music, whose essence is not in the physically audible sounds, but in the relationships between them, the intervallic conversation.
Thus, for me, working out the compositions is more related to Feng Shui, and improvising as a mirror of the soul in real time is more related to Fata Morgana; like walking through a desert, so to speak, guided by imagination and the urge for freedom.
Furthermore, it is the attempt to realize sound recordings during the Corona lockdown, separated in time and place in our own studios in Aarau, Basel and Bern respectively, without losing too much spontaneity and creativity.
The fact that this, as I feel, has succeeded amazingly well with the present album, I owe to my fellow musicians Christoph and Clemens, who have enriched this music with their power of inspiration and intuitive grasp of the character of the individual pieces.
FATASHUI is a combination of the two terms "Feng Shui" and "Fata Morgana".
"Feng Shui" refers to sensible and systematic ordering of things while in "Fata Morgana" things are not in the place where they seem to be due to reflection. I find this phenomenon characteristic of music, whose essence is not in the physically audible sounds, but in the relationships between them, the intervallic conversation.
Thus, for me, working out the compositions is more related to Feng Shui, and improvising as a mirror of the soul in real time is more related to Fata Morgana; like walking through a desert, so to speak, guided by imagination and the urge for freedom.
FATASHUI ist eine Kombination der beiden Begriffe „Feng Shui“ und „Fata Morgana“.
„Feng Shui“ nimmt Bezug auf sinnvolles und systematisches Ordnen der Dinge während bei der „Fata Morgana“ die Dinge durch die Spiegelung gerade nicht an dem Ort sind, wo sie zu sein scheinen. Dieses Phänomen finde ich bezeichnend für die Musik, deren Essenz nicht in den physisch hörbaren Klängen besteht, sondern in den Verhältnissen dazwischen, im Intervallischen.
So ist das Ausarbeiten der Kompositionen für mich mehr mit Feng Shui verwandt und das Improvisieren als Spiegel der Seele in Echtzeit mehr mit Fata Morgana; quasi wie ein Gang durch eine Wüste, geleitet von Phantasie und dem Drang nach Freiheit.
„Feng Shui“ nimmt Bezug auf sinnvolles und systematisches Ordnen der Dinge während bei der „Fata Morgana“ die Dinge durch die Spiegelung gerade nicht an dem Ort sind, wo sie zu sein scheinen. Dieses Phänomen finde ich bezeichnend für die Musik, deren Essenz nicht in den physisch hörbaren Klängen besteht, sondern in den Verhältnissen dazwischen, im Intervallischen.
So ist das Ausarbeiten der Kompositionen für mich mehr mit Feng Shui verwandt und das Improvisieren als Spiegel der Seele in Echtzeit mehr mit Fata Morgana; quasi wie ein Gang durch eine Wüste, geleitet von Phantasie und dem Drang nach Freiheit.
COMPROject (Composition/Impro/Project) ist das Auseinandersetzen mit Fragmenten oder bereits fertiggestellten aber noch nicht veröffentlichten Manuskripten aus meiner bisherigen Kompositionstätigkeit; und gleichzeitig deren Integration in mein aktuelles Schaffen.
Weiter ist es der Versuch, Tonaufnahmen während des Corona-Lockdowns, zeitlich und örtlich getrennt in unseren jeweils eigenen Studios in Aarau, Basel und Bern zu realisieren, ohne dabei allzu viel an Spontaneität und Kreativität zu verlieren.
Dass dies, wie ich denke, mit vorliegendem Album erstaunlich gut gelungen ist, verdanke ich meinen Mitmusikern Christoph und Clemens, die mit ihrer Inspirationskraft und der intuitiven Erfassung des Charakters der einzelnen Stücke diese Musik bereichert haben.
FATASHUI ist eine Kombination der beiden Begriffe „Feng Shui“ und „Fata Morgana“.
„Feng Shui“ nimmt Bezug auf sinnvolles und systematisches Ordnen der Dinge während bei der „Fata Morgana“ die Dinge durch die Spiegelung gerade nicht an dem Ort sind, wo sie zu sein scheinen. Dieses Phänomen finde ich bezeichnend für die Musik, deren Essenz nicht in den physisch hörbaren Klängen besteht, sondern in den Verhältnissen dazwischen, im Intervallischen.
So ist das Ausarbeiten der Kompositionen für mich mehr mit Feng Shui verwandt und das Improvisieren als Spiegel der Seele in Echtzeit mehr mit Fata Morgana; quasi wie ein Gang durch eine Wüste, geleitet von Phantasie und dem Drang nach Freiheit.
Weiter ist es der Versuch, Tonaufnahmen während des Corona-Lockdowns, zeitlich und örtlich getrennt in unseren jeweils eigenen Studios in Aarau, Basel und Bern zu realisieren, ohne dabei allzu viel an Spontaneität und Kreativität zu verlieren.
Dass dies, wie ich denke, mit vorliegendem Album erstaunlich gut gelungen ist, verdanke ich meinen Mitmusikern Christoph und Clemens, die mit ihrer Inspirationskraft und der intuitiven Erfassung des Charakters der einzelnen Stücke diese Musik bereichert haben.
FATASHUI ist eine Kombination der beiden Begriffe „Feng Shui“ und „Fata Morgana“.
„Feng Shui“ nimmt Bezug auf sinnvolles und systematisches Ordnen der Dinge während bei der „Fata Morgana“ die Dinge durch die Spiegelung gerade nicht an dem Ort sind, wo sie zu sein scheinen. Dieses Phänomen finde ich bezeichnend für die Musik, deren Essenz nicht in den physisch hörbaren Klängen besteht, sondern in den Verhältnissen dazwischen, im Intervallischen.
So ist das Ausarbeiten der Kompositionen für mich mehr mit Feng Shui verwandt und das Improvisieren als Spiegel der Seele in Echtzeit mehr mit Fata Morgana; quasi wie ein Gang durch eine Wüste, geleitet von Phantasie und dem Drang nach Freiheit.
VIDEOS
PHOTOS
Live
Past
2024
2023
21
Apr
2023
